Outomatic

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M van Museum
Leuven, Belgium
July 2011

Tiensestraat

Project in collaboration with MOMO

During summer 2011, I was invited to Leuven, Belgium, to participate in the first edition of Outomatic. This outdoor art festival was made possible by help from the M van Museum. Hans, the festival organizer, told me about all the empty flag posts visible throughout the city streets, and I instantaneously loved the idea to use them for a project. As I knew that MOMO was also participating in the festival, I asked him if he would like to collaborate with me using a process similar to the one we used during the PLAF project to design flags. We prepared 50 flags during the first five days and we hung them the sixth day in the afternoon. It took us a couple of hours to hang the flags and we worked without any kind of permit. This project is called Tiensestraat because it is named after the street where we put the flags. Today, while writing this page, more than a month after the installation, the flags are still flying…

Video:

50 flags video:

Pictures:

We also painted a mural inside the M van Museum:

Thanks to Hans and the M van Museum.

Espacios Flexibles

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La Quiñonera
Santa Cruz 111 Col. Candelaria, Coyoacán, Mexico City, Mexico
July 2011

Mural commissioned by Anonymous Gallery

On June 30th, 2011, the exhibition, Antes de la Resaca opened in the MUAC (Museo Universitario de Arte Contemporáneo de México DF). The curators organized a retrospective of the spaces created, and innovative proposals put forth by Mexican artists during the 1980’s and 90’s such as La Quiñonera, Temistocles 44, and La Panaderia. The exhibition is a review of projects and artists who passed through those spaces and the work they produced. In conjunction, Nestor Quiñones organized the exhibition Espacios Flexibles in collaboration with Anonymous Gallery (New York) and La Curtiduria (Oaxaca) to give continuity to La Quiñonera as an exhibition space in parallel with the MUAC program.

Taking advantage of the fact that I was passing through Mexico on my way to the US and that Anonymous Gallery (the gallery that supported my PLAF project in 2008) was about to open a new space in the capital, they invited me to be a member of the exhibition “Espacios Flexibles”.

In the 1980’s, La Quiñonera was very important to Mexico’s national art scene and many well known artists who I admire passed through there as they began their career. It was a great honor for me to present my work in a space so beautiful and so meaningful. Hector and Nestor Quiñones, two distinguished brothers who have worked hard to make this project happen, took me in for four days and, with the help of all, I painted a wall in one of the terraces on the second floor.

Thank you very much Nestor, Hector, Rodolfo, Laura, Joseph, Paola and Zapata.

Automatic Painting

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Art Re-Public Festival
Yoyogi Park, Harajuku,Tokyo, Japan
May 5th 2011

My last visit to Japan coincided with the Art Re-Public festival organized by my friend Yusaku. Over the past few years this festival has taken place in the streets of Tokyo to celebrate “Kodomo No Hi” or Children’s Day, an annual celebration throughout Japan. This year however, the festival took place in Yoyogi park in Harajuku.

I was offered the opportunity to do an installation at the event and decided to take advantage of the presence of so many children to do an experiment with one of my automatic painting projects. Four stations were prepared where people (mostly children) could choose randomly between 9 figures, 6 colors, 8 orientations and 289 positions. This choice was determined through a series of simple games. The experiment lasted 5 hours during which 85 people participated and 86 figures were painted.

Video:

Photos:

This project would not have been possible without the help of Sierra Forest and the invitation and hospitality of Yusaku and his family. Thanks!

Złota 73

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Updates 2011
Złota 73, Wola, Warsaw, Poland
April 26th – May 6th 2011

Project organized by the Vlepvnet foundation

At the end of May 2011, I went for a couple of weeks to Warsaw to paint two big murals on the facades of an old building that was constructed before World War II (very few of these buildings are still intact because of the intense bombings). The project was part of update 2011, an event organized by the Vlepvnet foundation. Every year they invite local and international artists to work in the city. The building is located on Zlota street in the Wola neighborhood, close to the central station. Thanks to the help from the guys from vlepvnet, the volunteers and the support of the neighbors, we managed to finished the two murals in only seven days.

As I was working more than 10 hours a day everyday during the week, I developed a very special relation with the neighbors who, as you can see in the pictures below, took very good care of me…

I would like to thank all the guys from Vlepvnet, the neighbors (particulary Antoni, Marta and Maciek and Joanna and Chris for taking so good care of me) and also all the volunteers who helped us painting.

Dziękuję!!!

Modular Do Lage

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Nova Cultura Contempôranea
Parque Lage, Rio de Janeiro, Brazil
March 21st – April 30th 2011

Project in collaboration with MOMO
www.vimeopro.com/rojo/nova-rio2011

In April 2011, I participated in Nova Rio Contemporary Culture, an event organized by Rojo in Rio de Janeiro. My friend (and artist whom I greatly admire) MOMO was also one of the artists invited. The organizers suggested we work together to produce an installation that would be exhibited at the Parque Lage. I had visited the Parque Lage six years before and it always struck me as one of the most beautiful places I have ever seen in Brazil. So of course I was very excited when I heard that I was going to have the opportunity to create art in this amazing place together with (for the second time) MOMO!

We had access to a workshop in a building within the School of Visual Arts (which is located in a palace in the middle of the park) and a large amount of unused wood. We started thinking about using this wood in different ways, always keeping in mind that we would construct something non-static and movable. Then we started working on the idea of a modular sculpture that could change constantly. After various tests with different models, we manufactured 23 pieces of wood that could be joined together in a variety of ways. Each piece was designed to fit with any or all of the other pieces. However, we soon found that the possibilities were limited by the condition of the wood, so we tried all the combinations that gravity allowed in the vicinity of our workshop, the gardens and the park. After a week we left four sculptures in the jungle to spend time with the local fauna!

Video:

Photos:

Thank you very much David, the whole team and all the Nova artists.

Muban – Expérience de dérive urbaine

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Muban (木板, “wood board” in Chinese)
Urban drift experiment with wooden boards
Beijing, China 2011 – 2013

Muban is an experiment about movement and material recuperation. Since I moved to China, I have been observing how people constantly recycle everything – from cardboard boxes and plastic bottles to bricks, doors and windows from demolished buildings. These materials are immediately collected and sold by the kilo or directly reused. I wanted to see what would happen if I threw my own material out onto the street. where would it end up? How would it be used? I bought some thin plywood boards, and had them cut (81 x 61 cm). On either side of each board I painted white shapes to be able to spot them easily. Each board was given a slightly different design so I could differentiate and follow them. Then, I left them in the street and waited to see what would happen.

Muban A, Caijing donglu

Eltono-MubanA-x18

One day on my way to my daily Chinese classes, I found a shortcut passing through a “hutong” neighborhood. I found it so interesting, compared with the rest of the over-urbanized area around, that I decided to pass through there everyday. The people living there were very kind, always smiling and open to communication. I decided to do the first Muban experiment in this neighborhood because it was quite small, had one story homes and very few residents lived there. Furthermore, as I was walking or biking through it everyday, I would be able to observe the pieces and how they moved twice a day. I prepared the first nine Mubans in my studio and one night, I deposited them around the tiny hutong streets. I distributed the boards into four sets: one containing three boards and the other three containing two. They disappeared very fast and, only once (18 days later), was I able to see a set of two boards (A6 and A7) reappear again in an adjacent street before it was completely gone. I abandoned the nine boards in November of 2011 and I continued to observe until the summer of 2012. Today this neighborhood is almost completely gone. Most of the people have lost their homes and have been forced to move somewhere else in order to build more towers and skyscrapers.

Click on the images to enlarge them and read the captions to follow the story.

Muban A1, A4 and A5:

Muban A2 and A9:

Muban A3 and A8:

Muban A6 and A7:

This is how this hutong neighborhood looks today (June 2013). In almost every picture you can see some tall buildings surrounding the area – this is what they’ve planned to build here, more towers, once the last residents have been kicked out.

Muban B, Chengfulu

Eltono-MubanB-x18

Things got a little bit better with the second experiment, I got a couple of very interesting results and I was able to draw a map of the movements. I painted nine boards again and I deposited them, one by one this time, in a small residential area very close to my house. Since then, I have walked around or biked through this neighborhood almost everyday trying to spot the boards. After so many hours observing and looking for the white geometric designs, I developed a new ability and was able to detect them quite easily.

Click on the images to enlarge them and read the captions to follow the story.

The records of Muban B1 to B9 are presented in chronological order.

Muban B1:

Muban B2:

Muban B3:

Muban B5:

Muban B4:

Muban B9:

Muban B8:

Muban B6:

Muban B7:

Eltono Muban B map

I learned many interesting things while doing the Muban project such as how to be discreet to avoid ruining the experience, how to appear lost when you know exactly where you are going and a variety of interesting habits and quirky personality traits belonging to the Beijingers who live in these communities. This experiment is an ongoing project. The pieces must be observed for a very long time so it’s not an easy project to start just anywhere. I’m looking forward to continuing with it and I hope to be able to report more results. If by any chance, any of the above listed Mubans reappear, I’ll post the update here.

Astillas

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Festival Of World Cultures
Dún Laoghaire, Dublin, Ireland
July 23rd – 25th 2010

In June of 2010 I was invited by the Festival of World Cultures to reconstruct my Astillas instalation. It was first presented in La Culpable galery in Lima in June of 2008 (www.eltono.com/en/exhibitions/astillas). The event lasted 2 days and thanks to the constant public participation, the instalation was ever-changing and new compositions were created constantly.

All of a sudden a carnaval began in front of the instalation!

Back to Peru

In honor of the land where the instalation was first conceived, I decided to send one of the wood chips “back to Peru”…
:)

In these images below, you can see a selection of the compositions done by varios people throughout the festival.

Thank you very much Jane, Jules and Anja.

Sen Thăng Long Hotel

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Hanoi, Vietnam
June 2010

Project commissioned by the AECID

At the end of June 2010 I was invited by the Spanish embassy in Hanoi to paint the facade of the Sen Thang Long hotel, in Nguyễn Trường Tộ street, close to the Old Quarter. I spent 20 days there and was helped by Duy, Bái, Thăng y Nhi, four painters used to extreme working conditions, who ended being my hosts and allowed me discover the city and Vietnamese culture in a very unusual and authentic way.


The finished facade after 15 days of work, click on the picture to enlarge.

Extra pictures:

Thanks to my four assistants efficiency, it only took 15 days to finish the facade and I was left with a week to do a little bit of tourism, sing What is love at the Karaoke, do independent paintings in the street, finally find out what was that song Bái was playing everyday in his mobile phone, try more types of Phở, ride three at a time on a motorbike to Thanh Xuân in the rain, and try at last the Mía đá

An incredible experience that was made possible thanks to Cesar Espada, Mónica Gutierrez, Duy, Bái, Thăng, Nhi and Thin, Mr Hai the hotel director,  Eugenio, Nga, Chi, Ming from Bar36, the corner fruit sellers and Mrs Phở.