Peinture murale générative et participative
Exécutée avec 9 participants du programme RAW Artworks
Tremont Street, Lynn, Massachusetts, USA
Juillet 2018
Festival Beyond Walls
www.beyond-walls.org
Système génératif d’impression avec blocs de bois
Série de 8 monotypes
Imprimés chez Center Street Studio, Boston, MA, États-Unis
Novembre 2017
Le Mur Saint-Étienne
Mars 2018
Rue du Frère Maras, Saint-Étienne, France
le-mur-st-etienne.tumblr.com
Photo: Benoit Roche
Peinture générative
Château d’eau de la Courrouze
Rennes, France 10/2017
Production : Biennale Teenage Kicks
Peinture murale générative et participative
Exécutée avec les 175 élèves de l’école primaire Les Violettes à Chenôve, Dijon, France
Juin 2017
Projet produit par Zutique Production et dirigé par Pierre-Loup Vasseur.
Peinture murale générative et participative
Exécutée avec les 175 élèves de l’école primaire Les Violettes à Chenôve, Dijon, France
Juin 2017
Projet produit par Zutique Production et dirigé par Pierre-Loup Vasseur.
Redline Centre d’Art Contemporain
2350 Arapahoe Street, Denver, U.S.A.
30 juin – 23 juillet 2017
Modo n.º19
(Texte en anglais)
Curated by Ramón Bonilla, Downshifting is a group exhibition that calls attention to the meditative quality of reductive art, which encompasses minimal, post-minimal, hard edge and geometrical work. Reductive art work is typically explored in terms of formal qualities like medium, rarely conjuring conversations that respond or reflect on political realities. For many artists around the globe, however, reductive work can provide a sanctuary from the hyperactivity and sensory-flooding that has come to be our everyday reality.
Working with 12 internationally-based abstract and minimalist artists, Downshifting will transform RedLine’s 6,000-square-foot exhibition hall into a sanctuary of abstract works with programming that explores sensory deprivation rather than spectacle and provocation.
Participating Artists:
Eltono (France)
Louyse Blyton (Australia)
Ramón Bonilla (Puerto Rico)
Sandra Fettingis (USA)
Andrew Huffman (USA)
Kristofer Hultenberg (Denmark)
Michael Mork (Denmark)
Gary Andrew Clarke (England)
Ashley Frazier (USA)
SEIKON (Poland)
Hyland Mather (USA)
Frank T. Martinez (USA)
Downshifting exposition collective
Redline Centre d’Art Contemporain
2350 Arapahoe Street, Denver, U.S.A.
30 juin – 23 juillet 2017
(Texte en anglais)
Curated by Ramón Bonilla, Downshifting is a group exhibition that calls attention to the meditative quality of reductive art, which encompasses minimal, post-minimal, hard edge and geometrical work. Reductive art work is typically explored in terms of formal qualities like medium, rarely conjuring conversations that respond or reflect on political realities. For many artists around the globe, however, reductive work can provide a sanctuary from the hyperactivity and sensory-flooding that has come to be our everyday reality.
Working with 12 internationally-based abstract and minimalist artists, Downshifting will transform RedLine’s 6,000-square-foot exhibition hall into a sanctuary of abstract works with programming that explores sensory deprivation rather than spectacle and provocation.
Participating Artists:
Eltono (France)
Louyse Blyton (Australia)
Ramón Bonilla (Puerto Rico)
Sandra Fettingis (USA)
Andrew Huffman (USA)
Kristofer Hultenberg (Denmark)
Michael Mork (Denmark)
Gary Andrew Clarke (England)
Ashley Frazier (USA)
SEIKON (Poland)
Hyland Mather (USA)
Frank T. Martinez (USA)
