Pintura mural generativa y participativa
Ejecutada con 9 participantes del programa RAW Artworks
Tremont Street, Lynn, Massachusetts, EEUU
Julio 2018
Festival Beyond Walls
www.beyond-walls.org
Sistema generativo de impresión con bloques de madera
Serie de 8 monotipos
Impresos en el Center Street Studio, Boston, MA, EEUU
Noviembre 2017
En venta exclusivamente en www.centerstreetstudio.com
Le Mur Saint-Étienne
Marzo 2018
Rue du Frère Maras, Saint-Étienne, Francia
le-mur-st-etienne.tumblr.com
Foto: Benoit Roche
Pintura generativa
Deposito de agua La Courrouze
Rennes, Francia 10/2017
Producción: Bienal Teenage Kicks
Pintura mural generativa y participativa
Ejecutada con 175 alumnos de la escuela elementaria Les Violettes en Chenôve, Dijon, France
Junio 2017
Proyecto producido por Zutique Production y dirigido por Pierre-Loup Vasseur.
Pintura mural generativa y participativa
Ejecutada con 175 alumnos de la escuela elementaria Les Violettes en Chenôve, Dijon, France
Junio 2017
Proyecto producido por Zutique Production y dirigido por Pierre-Loup Vasseur.
Redline Centro de Arte Contemporaneo
2350 Arapahoe Street, Denver, EE.UU.
30 de junio – 23 de julio 2017
Modo n.º19
(Texto en inglés)
Curated by Ramón Bonilla, Downshifting is a group exhibition that calls attention to the meditative quality of reductive art, which encompasses minimal, post-minimal, hard edge and geometrical work. Reductive art work is typically explored in terms of formal qualities like medium, rarely conjuring conversations that respond or reflect on political realities. For many artists around the globe, however, reductive work can provide a sanctuary from the hyperactivity and sensory-flooding that has come to be our everyday reality.
Working with 12 internationally-based abstract and minimalist artists, Downshifting will transform RedLine’s 6,000-square-foot exhibition hall into a sanctuary of abstract works with programming that explores sensory deprivation rather than spectacle and provocation.
Participating Artists:
Eltono (France)
Louyse Blyton (Australia)
Ramón Bonilla (Puerto Rico)
Sandra Fettingis (USA)
Andrew Huffman (USA)
Kristofer Hultenberg (Denmark)
Michael Mork (Denmark)
Gary Andrew Clarke (England)
Ashley Frazier (USA)
SEIKON (Poland)
Hyland Mather (USA)
Frank T. Martinez (USA)
Downshifting exposición colectiva
Redline Centro de Arte Contemporaneo
2350 Arapahoe Street, Denver, EE.UU.
30 de junio – 23 de julio 2017
(Texto en inglés)
Curated by Ramón Bonilla, Downshifting is a group exhibition that calls attention to the meditative quality of reductive art, which encompasses minimal, post-minimal, hard edge and geometrical work. Reductive art work is typically explored in terms of formal qualities like medium, rarely conjuring conversations that respond or reflect on political realities. For many artists around the globe, however, reductive work can provide a sanctuary from the hyperactivity and sensory-flooding that has come to be our everyday reality.
Working with 12 internationally-based abstract and minimalist artists, Downshifting will transform RedLine’s 6,000-square-foot exhibition hall into a sanctuary of abstract works with programming that explores sensory deprivation rather than spectacle and provocation.
Participating Artists:
Eltono (France)
Louyse Blyton (Australia)
Ramón Bonilla (Puerto Rico)
Sandra Fettingis (USA)
Andrew Huffman (USA)
Kristofer Hultenberg (Denmark)
Michael Mork (Denmark)
Gary Andrew Clarke (England)
Ashley Frazier (USA)
SEIKON (Poland)
Hyland Mather (USA)
Frank T. Martinez (USA)
