The Barrios Project

I have always been fascinated by auto-construction. From the gate at the end of a garden to a brick house found on the slope of a hill in Brazil. This type of architecture is immediate, organic, it expands in an almost natural way. This urban fabric’s apparent chaos is often more human than one found in a city where the construction follows standard urban planning. Aesthetically speaking, worn out textures and the discovery of a variety of materials (bricks, cement blocks, metal panels, wooden slabs…) have always attracted me as an artistic surface.

eltono-barrios-mexico05

The Barrios project began in April of 2006 when, invited by some friends, Nuria Mora and I painted in a favela in Rio de Janeiro. After exchanging ideas with the residents, I was very pleased to see that they were so receptive to what I was painting. They really appreciated the colors and the composition. This positive reaction led me to reflect on Contemporary Art and specifically its access to the public. It was obvious that, unfortunetly, the residents of the favela didn’t often visit museums or art galleries. Even though the appreciation of a work of art is universal, access to art itself is not. Since then, it has become a special mission for me to bring contemporary art to places where there is none. When discussing this with my friend Nazza, a fellow artist, he said, “what is the point of painting in the street in the center of Buenos Aires where people have money and can buy art and pay to enter museums, I only paint on the outskirts of the city.” He is completely right… Why give art for free to the people who need it the least? Where people really need art is in the Barrios!

This is not about outside eyes prying, or looking into a foreign world. My idea is to create a dialogue with the residents and enrich their daily lives by providing them with a humble gift. Sharing with them what I know and receiving what they can teach me. With Barrios, the human experience is always more rewarding for me than the artistic experience.

Barrios is an open project in constant development, more interventions and publications will come in the future. Of course, any idea or proposal is welcome as I am always looking to find new opportunities to make art more democratic.

Below you will find photographic galleries of six projects that I have developed within the framework of Barrios up until now. The photos were taken by project organizers, friends, neighbors and a few are my own.

Gardiena Azul

Rio de Janeiro, Brazil, 04/2006
In collaboration with Nuria Mora
More details: www.eltono.com/projects/gardenia-azul

Puerto Lumbreras

Murcia, Spain, 08/2006
Two week artistic residence within the neighborhood
In collaboration with Emece and Puerto Lumbreras City Council
A book about the project has been edited by the city council:
www.eltono.com/boutique/puerta-lumbreras-book
More details: www.eltono.com/projects/puerta-lumbreras

Huasteca, Santa Catarina and Espinazo

Nuevo León, Mexico, 11/2007
Paintings made with the help of Nrmal, Maf and Screw

Puerto Vallarta

Jalisco, Mexico, 10/2008
Ten day artistic residence
In collaboration with Paco Rosas and Libelulart
More details: www.eltono.com/projects/puerto-vallarta

Tampiquito

Monterrey, Mexico, 04/2009
Two-month artistic residence within the neighborhood
In collaboration with Nrmal and El Narval
More details: www.eltono.com/projects/residencia-tampiquito

Villa Urquiza and La Matanza

Buenos Aires, Argentina, 12/2007 and 04/2010
Paintings made with the help of Nazza Stencil

We were returning to my friend Nazza’s home after painting, when we ran into the neighbor´s children playing football against a wall in front of the house. I paint lines, we had white paint and we were walking through a neighborhood in Argentina… It was pretty obvious that I would end up painting a goal on the wall! This is probably the most interactive piece I have ever painted.

Caochangdi – 草场地

Caochangdi, Beijing, China, 06/2012
1/1 Project with C-Space gallery
More details here: www.eltono.com/en/projects/1-1-caochangdi

Billboard Appropriation

Utrecht, Netherlands
March 2012

Project in collaboration with Stickit

Action video:

Process pictures:

Thanks Wood, Mores, Merijn Hos, Tibor Kocsis and Stijn Jansen!

TRACES

Ongoing project
Started in September 2011

I have always been fascinated by all the marks, traces and treads that our daily movements leave throughout a city. The idea behind TRACES is to observe and somehow try to register these types of marks. For this purpose, I am working on some experiments that allow for the possible appearance of shapes and lines by exploiting these daily movements.

The first experiment is called Gravure au sol (ground engraving). The idea was to generate graphic works using the city as a studio. The four first attempts with a satisfactory result were executed on the asphalt of three streets (one in France and two in China) registering the passage of cars, motorbikes, bikes and a few pedestrians.

TRACES – experiment 1: Gravure au sol #1

Asphalt engraving on card, 18 cm x 28 cm.
13/09/2011 from 14h25 to 20h20, road D54, France.
Most of the marks were left by cars.

TRACES – experiment 1: Gravure au sol #2

Asphalt engraving on Canson Paper, 18 cm x 28 cm.
14/09/2011 from 9h32 to 16h54, road D54, France.
Most of the marks were left by cars.

TRACES – experiment 1: Gravure au sol #3

Asphalt engraving on Sumiaozhi-8K 160g Paper, 18 cm x 28 cm.
19/10/2011 from 15h00 to 16h19, 学院路 (Xueyuanlu), Beijing, China.
Most of the marks were left by bikes and bicycles.

TRACES – experiment 1: Gravure au sol #4

Asphalt engraving on Sumiaozhi-8K 160g Paper, 18 cm x 28 cm.
24/10/2011 from 15h48 to 16h45, 展春园西路 (Zhanchunyuanxilu), Beijing, China.
Most of the marks were left by cars.

I am in the process of conducting further experiments at this time. As soon as I obtain some more interesting results, I will post more examples.

As the results for these first experiments from the TRACES project are recoverable, they will be available for purchase, with my other graphic works, at the Boutique on this website.

Tiensestraat

M van Museum
Leuven, Belgium
July 2011

Tiensestraat

Project in collaboration with MOMO

During summer 2011, I was invited to Leuven, Belgium, to participate in the first edition of Outomatic. This outdoor art festival was made possible by help from the M van Museum. Hans, the festival organizer, told me about all the empty flag posts visible throughout the city streets, and I instantaneously loved the idea to use them for a project. As I knew that MOMO was also participating in the festival, I asked him if he would like to collaborate with me using a process similar to the one we used during the PLAF project to design flags. We prepared 50 flags during the first five days and we hung them the sixth day in the afternoon. It took us a couple of hours to hang the flags and we worked without any kind of permit. This project is called Tiensestraat because it is named after the street where we put the flags. Today, while writing this page, more than a month after the installation, the flags are still flying…

Video:

50 flags video:

Pictures:

We also painted a mural inside the M van Museum:

Thanks to Hans and the M van Museum.

Modular Do Lage

Nova Cultura Contempôranea
Parque Lage, Rio de Janeiro, Brazil
March 21st – April 30th 2011

Project in collaboration with MOMO
www.vimeopro.com/rojo/nova-rio2011

In April 2011, I participated in Nova Rio Contemporary Culture, an event organized by Rojo in Rio de Janeiro. My friend (and artist whom I greatly admire) MOMO was also one of the artists invited. The organizers suggested we work together to produce an installation that would be exhibited at the Parque Lage. I had visited the Parque Lage six years before and it always struck me as one of the most beautiful places I have ever seen in Brazil. So of course I was very excited when I heard that I was going to have the opportunity to create art in this amazing place together with (for the second time) MOMO!

We had access to a workshop in a building within the School of Visual Arts (which is located in a palace in the middle of the park) and a large amount of unused wood. We started thinking about using this wood in different ways, always keeping in mind that we would construct something non-static and movable. Then we started working on the idea of a modular sculpture that could change constantly. After various tests with different models, we manufactured 23 pieces of wood that could be joined together in a variety of ways. Each piece was designed to fit with any or all of the other pieces. However, we soon found that the possibilities were limited by the condition of the wood, so we tried all the combinations that gravity allowed in the vicinity of our workshop, the gardens and the park. After a week we left four sculptures in the jungle to spend time with the local fauna!

Video:

Photos:

Thank you very much David, the whole team and all the Nova artists.

Muban – Urban Drift Experiment

Muban (木板, “wood board” in Chinese)
Urban drift experiment with wooden boards
Beijing, China 2011 – 2013

Muban is an experiment about movement and material recuperation. Since I moved to China, I have been observing how people constantly recycle everything – from cardboard boxes and plastic bottles to bricks, doors and windows from demolished buildings. These materials are immediately collected and sold by the kilo or directly reused. I wanted to see what would happen if I threw my own material out onto the street. where would it end up? How would it be used? I bought some thin plywood boards, and had them cut (81 x 61 cm). On either side of each board I painted white shapes to be able to spot them easily. Each board was given a slightly different design so I could differentiate and follow them. Then, I left them in the street and waited to see what would happen.

Muban A, Caijing donglu

Eltono-MubanA-x18

One day on my way to my daily Chinese classes, I found a shortcut passing through a “hutong” neighborhood. I found it so interesting, compared with the rest of the over-urbanized area around, that I decided to pass through there everyday. The people living there were very kind, always smiling and open to communication. I decided to do the first Muban experiment in this neighborhood because it was quite small, had one story homes and very few residents lived there. Furthermore, as I was walking or biking through it everyday, I would be able to observe the pieces and how they moved twice a day. I prepared the first nine Mubans in my studio and one night, I deposited them around the tiny hutong streets. I distributed the boards into four sets: one containing three boards and the other three containing two. They disappeared very fast and, only once (18 days later), was I able to see a set of two boards (A6 and A7) reappear again in an adjacent street before it was completely gone. I abandoned the nine boards in November of 2011 and I continued to observe until the summer of 2012. Today this neighborhood is almost completely gone. Most of the people have lost their homes and have been forced to move somewhere else in order to build more towers and skyscrapers.

Click on the images to enlarge them and read the captions to follow the story.

Muban A1, A4 and A5:

Muban A2 and A9:

Muban A3 and A8:

Muban A6 and A7:

This is how this hutong neighborhood looks today (June 2013). In almost every picture you can see some tall buildings surrounding the area – this is what they’ve planned to build here, more towers, once the last residents have been kicked out.

Muban B, Chengfulu

Eltono-MubanB-x18

Things got a little bit better with the second experiment, I got a couple of very interesting results and I was able to draw a map of the movements. I painted nine boards again and I deposited them, one by one this time, in a small residential area very close to my house. Since then, I have walked around or biked through this neighborhood almost everyday trying to spot the boards. After so many hours observing and looking for the white geometric designs, I developed a new ability and was able to detect them quite easily.

Click on the images to enlarge them and read the captions to follow the story.

The records of Muban B1 to B9 are presented in chronological order.

Muban B1:

Muban B2:

Muban B3:

Muban B5:

Muban B4:

Muban B9:

Muban B8:

Muban B6:

Muban B7:

Eltono Muban B map

I learned many interesting things while doing the Muban project such as how to be discreet to avoid ruining the experience, how to appear lost when you know exactly where you are going and a variety of interesting habits and quirky personality traits belonging to the Beijingers who live in these communities. This experiment is an ongoing project. The pieces must be observed for a very long time so it’s not an easy project to start just anywhere. I’m looking forward to continuing with it and I hope to be able to report more results. If by any chance, any of the above listed Mubans reappear, I’ll post the update here.

Astillas

Festival Of World Cultures
Dún Laoghaire, Dublin, Ireland
July 23rd – 25th 2010

In June of 2010 I was invited by the Festival of World Cultures to reconstruct my Astillas instalation. It was first presented in La Culpable galery in Lima in June of 2008 (www.eltono.com/en/exhibitions/astillas). The event lasted 2 days and thanks to the constant public participation, the instalation was ever-changing and new compositions were created constantly.

All of a sudden a carnaval began in front of the instalation!

Back to Peru

In honor of the land where the instalation was first conceived, I decided to send one of the wood chips “back to Peru”…
:)

In these images below, you can see a selection of the compositions done by varios people throughout the festival.

Thank you very much Jane, Jules and Anja.

Ropa de Trabajo (Workwear)

After so many painting projects throughout the years, I now have a huge collection of paint stained work clothes. It seemed incredible to me how quickly my clothes were covered in paint. Therefore I came up with the idea to start this new experiment called Ropa de Trabajo (Work Clothes). I realized it could be another way to create something that evolves on it’s own without me controlling the final result. As in many of my projects during the past few years, I found it interesting the delegation of the role of the artist as spectator in the creation of his own artwork.

Ropa de Trabajo #1 has been generated during the exhibition Murals at the Fundacion Miro.
Barcelona, Spain, February 2010.

Ropa de Trabajo #2 has been generated during the following projects: Festival Nrmal in Monterrey, Mexico, The Underbelly Project in New York, U.S.A., Postgraffiti, Geometría y Abstracción in A Coruña, Spain and Intervenciones Urbanas Iberoamericanas in Buenos Aires, Argentina.
From March to April 2010.

Ropa de Trabajo #3 has been generated during the exhibition Sala de Arte Joven 2.0 at the Sala de Arte Joven de la Comunidad de Madrid.
Madrid, Spain, April 2010.