Category: page_outdoor

Modo n.º8

Generative and participative painting
Foyer Herriot
Dijon, France 07/2016

2 days and 15 participants – project organized by Zutique Productions and part of a 3 week residence in the Grésilles neighborhood.

Modo n.º6

Generative and participative painting
EACC, Contemporary art Center of Castellon
Castellon, Spain 10/2016

5 days and 43 participants – project curated by Pascual Arnal for the EACC with the participation of the School of Art i Superior de Disseny and the high schools of La Plana (Castellon) and el Broch i Llop (Villareal).

Photos by Pascual Arnal and Eltono.

Modo n.º5

Generative and participative painting
Clemenceau Park
Dijon, France 06/2016

5 days and 87 participants – project organized by the Acodege Cultural Center and financed by the Commission de Quartier Clemenceau and the city of Dijon.

Eltono-Dijon-2016

Le Dédale

Le Dédale, art circuit in the public space
Belvès, Dordogne, France, 06/2016

When I was offered to participate in the Dédale in Belvès, I went strolling the street of the village to find ideas and ways to intervene in it. Used to work in cities, to create in the streets of such a charming and harmonious little village was for me a real challenge. Quickly, I noticed the presence of a lot of unoccupied houses with windows blocked with wooden planks. I had the idea to intervene directly on these planks and old shutters to highlight the buildings without denaturing them, without touching their stones. To paint on these ephemeral supports, marginal witnesses of an interrupted activity, provides them with a certain dignity and gives them back an honorable role in the city: support for a works of art.

www.lededale.com

Venturing Beyond

Somerset House
London, U.K.
Exhibition curated by A by P
3 March – 2 May 2016

Footpaths
Four 15′ walking performances
Black ink on 285 g. Fabriano Rosaspina paper 100 x 70 cm, 2′ video

Rules:

  1. The participant of the action selects an area of public space and defines a specific time period.
  2. The perimeter of this predefined space is then circled in a clockwise fashion.
  3. When an outsider visible to the participant enters the perimeter, the participant must immediately attempt to reach the outsider’s point of intrusion.
  4. If the perimeter is further breached  during the attempt to reach the initial intruder’s entry point, this subsequent point becomes the new target.
  5. Once an intrusion point is reached, the participant continues circling the perimeter until either a further intruder enters or the time limit is reached.
  6. Finally a drawing is generated; a testimony to the footpath experience.

www.a-by-p.com
www.somersethouse.org.uk/visual-arts/venturing-beyond

Modo n.º2

Generative and participative painting
Cité Brûlard (the “408”)
Besançon, France 03/2016

9 days and 125 participants – project organized by Juste Ici part of a CLEA (local contract of artistic education) with la Butte and la Grette schools.

Thanks to the whole Juste Ici team, to the volunteers (Fany and Sandrine), to the MJC Grette-Butte, to the 408 residents, to the teachers of la Butte and la Grette schools and most of all to the 125 children who participated in the painting.

Pictures by Fany and Eltono

Modo n.º1

Generative and participative painting
Les Grésilles Market
Dijon, France 03/2016

4 days and 30 participants – project organized by Zutique with the participation of the children from the MJC and the social center of the Grésilles neighborhood.