Generative and participative painting
Clemenceau Park
Dijon, France 06/2016
5 days and 87 participants – project organized by the Acodege Cultural Center and financed by the Commission de Quartier Clemenceau and the city of Dijon.
Le Dédale, art circuit in the public space
Belvès, Dordogne, France, 06/2016
When I was offered to participate in the Dédale in Belvès, I went strolling the street of the village to find ideas and ways to intervene in it. Used to work in cities, to create in the streets of such a charming and harmonious little village was for me a real challenge. Quickly, I noticed the presence of a lot of unoccupied houses with windows blocked with wooden planks. I had the idea to intervene directly on these planks and old shutters to highlight the buildings without denaturing them, without touching their stones. To paint on these ephemeral supports, marginal witnesses of an interrupted activity, provides them with a certain dignity and gives them back an honorable role in the city: support for a works of art.
Somerset House
London, U.K.
Exhibition curated by A by P
3 March – 2 May 2016
Footpaths
Four 15′ walking performances
Black ink on 285 g. Fabriano Rosaspina paper 100 x 70 cm, 2′ video
Rules:
www.a-by-p.com
www.somersethouse.org.uk/visual-arts/venturing-beyond
Generative and participative painting
Cité Brûlard (the “408”)
Besançon, France 03/2016
9 days and 125 participants – project organized by Juste Ici part of a CLEA (local contract of artistic education) with la Butte and la Grette schools.
Thanks to the whole Juste Ici team, to the volunteers (Fany and Sandrine), to the MJC Grette-Butte, to the 408 residents, to the teachers of la Butte and la Grette schools and most of all to the 125 children who participated in the painting.
Pictures by Fany and Eltono
Generative and participative painting
Les Grésilles Market
Dijon, France 03/2016
4 days and 30 participants – project organized by Zutique with the participation of the children from the MJC and the social center of the Grésilles neighborhood.
Phnom Penh, Cambodia
April 2015
Invited by the Institut Français and the artists Chifumi and Théo Vallier.
Luce + Eltono
SET Espai d’Art
Plaza Miracle del mocadoret 4, Valencia, Spain
November 13th 2015 – January 12th 2016
“Lugares Comunes” was my first collaboration with Spanish artist Luce. We worked during three weeks on four installations based on observations and experiences we had around the city of Valencia.
This piece is about making holes in abandoned plot walls so we can facilitate the access to their interior. The holes were punched following a zig-zag pattern so that they could be used as a ladder. We used hammers and chisels and the holes came out irregular because they were made quickly and illegally. The size had to be big enough so a foot could fit in it. In the gallery, we showed five full scale “break-in ladders” made of wood. They were exact life size replicas and included the same shape, dimensions and arrangement for each hole. Reproducing the holes in wood had to be done rigorously and required precision and accuracy, which was a direct contrast to the way the holes were randomly produced on the street with a hammer and a lot of adrenaline.
This is a hollow omega shaped structure we build to be placed on top of deserted plot walls. Inside, a set of mirrors allowed us to literally see through the wall. We attached wheels so the artifact could be moved horizontally offering the viewer a proper exploration of the inside of the plots. In the gallery, we built a wall to support the periscope and showed a video of how people used it to see through different walls around the city.
All around the city, we observed a lot of unused L shaped brackets on places where an air conditioning unit used to be installed. We decided to exploit them to install a seat. The seat and the backrest leaned on the L squares mounted on the facade of the buildings. For the exhibition, we installed L brackets to set-up one chair and we showed four photographs of one of us sitting on it. These self-portraits served as a witnesses to the performances in the street as well as an opportunity for the public to see the artists enjoying the devices as they contemplate the city from a novel point of view.
We used eight wood sticks of different lengths with a hole drilled on one side and a wax crayon attached to the other. In the street, we looked for unused screws coming out of the walls to hang them. These screws became center points to draw curves playing with the restrictions imposed by the position of the screw, the size of the stick and the surrounding elements. Inside the gallery, we reproduced a real situation that we observed in the street formed by eight screws and used the sticks to draw lines on one of the gallery walls. We made eight small scale drawings on paper that serve as a proof of the completion of the mural.
Additional actions we did during the preparation of the show. Experimentations that we didn’t show in the exhibition but that were part of the process.
“33,333”
Port de la Gare Paris 13e
Performance Nº48 – October 17th and 18th 2015
www.lemur13.com