Hangar 107 Art Center
Rouen, France
July 2021
For the Sérendipité (serendipity) solo show, I presented eight bodies of work: two generative mural paintings, four street experimentations, one interactive mural installation and a generative sculptures project.
Averses (rain showers)
Following my researches around the idea of artwork alteration with uncontrolled external factors, I decided to take advantage of the Normandy weather to walk around the art center each time it was raining, protecting myself under an artwork. The colored parallel lines sequence traced with felt pens are defaced by the water drips which make the ink bleed. because the exposition time is the same for each outing, the characteristics of each rain shower can be clearly seen in the result. Big spaced drops, light rain or strong rain shower all leave a different imprint on the ink.
SM7
The SM7 sculptures are a reiteration of the Modo n.°7 protocol using volume. Eight different shapes are generated and laid out so the sculpture is stable. Once the balance is found, the molded pieces are assembled and the sculpture is fixed.
55 panneaux (55 panels)
Following a generative protocol, 55 abstract compositions were painted on 50 x 50 cm wood panels. The hanging system allows to easily move the pieces around. This way, all along the duration of the show, the public can switch the panel around to make the composition evolves.
Modo n.°46
Puting the technological breakthrough of NFT in generative art to good use, I uploaded a code online so 16 collectors could generate 16 digital abstract compositions. Each one of them was painted in a cell following the generation order. The final result was discovered at the end of the painting because no simulation of the complete composition was made.
https://www.eltono.com/lab/projects/modo46/
RUFO
An abstract composition is painted on a wood board and a rope is attached to it. I walk the board, painted face towards the floor, on a looping route that has been defined beforehand. The result is discovered at the end of the loop. In Rouen, I chose to walk eight boards on paths going through the docks and bridges around the Seine river.
Modo n.°45 (Modo n.°7 reiteration)
After discovering a perfect 7×7 grid on the central freestanding wall, we painted the generative wall painting Modo n.°45 following the Modo n.°7 protocol.
Pierres peintes (painted rocks)
When I arrived at the art center, I went outside to look for rocks. Each rock was painted with three different color coats. The rocks were then brought to the right bank of Rouen and I kicked them to make them roll following predefined paths. Some of them were dropped in the Mont-Saint-Aignan slopes and one, the biggest, rolled on the left bank around the art center.
Détours
Random paths (x5) were executed in Niort in 2017 for the show La Ville et le Mouvement curated by Winterlong Gallery.
For a predefined time, I wander in the city with a dice in my pocket. At each street intersection, I roll the dice to decide where to go next. The GPS data of the path is recorded and a sculpture is made out of the result. The sculptures are shown like abstract artworks resulting of my movement in the city.
Overview of the show:
Thanks to all the Hangar 107 crew, Jean Guillaume, Nicolas, Marc, Kim, Théo, Caro, Marilou and Gabin.
Pictures: Juan Cruz, Jean Guillaume Panis and Eltono.
