SET Espai d’Art Solo show Anomalías
Valencia, Spain
September 15th – November 11th 2017
I looked for rocks in the streets around the gallery. I found 14. For each one, I noted down the exact place where it was found. I brought the rocks to the studio and I painted them with 3 coats of 3 different colors. Then, I brought each one of them back to the place where I found it and from this point, I kicked it through the street until it entered by the gallery door.
Le Pilori visual arts space Place du Pilori, Niort, France
September 27th – November 10th 2017
Exhibition organised for the 4e mur festival by Winterlong gallery.
Participating Artists: Jeroen Jongeleen and Eltono
Six 20 minute random itineraries starting from the exhibition space door. At each intersection, a die is used to determine where to go. The result is materialised by six painted wooden sculptures.
RUFO
A painting is dragged in the street, with the painted side facing the floor. The route, a loop in the city, is fixed beforehand. The board is exhibited as if with a map showing the route.
G.A.S
Horizontal printing system using street movements. Each print is exposed to traffic for at least an hour.
Photos: Eric Surmont et Eltono
Videos: Victor Thiré
Redline Contemporary Art Center
2350 Arapahoe Street, Denver, U.S.A.
June 30th – July 23rd 2017
Modo n.º19
Curated by Ramón Bonilla, Downshifting is a group exhibition that calls attention to the meditative quality of reductive art, which encompasses minimal, post-minimal, hard edge and geometrical work. Reductive art work is typically explored in terms of formal qualities like medium, rarely conjuring conversations that respond or reflect on political realities. For many artists around the globe, however, reductive work can provide a sanctuary from the hyperactivity and sensory-flooding that has come to be our everyday reality.
Working with 12 internationally-based abstract and minimalist artists, Downshifting will transform RedLine’s 6,000-square-foot exhibition hall into a sanctuary of abstract works with programming that explores sensory deprivation rather than spectacle and provocation.
Participating Artists:
Eltono (France)
Louyse Blyton (Australia)
Ramón Bonilla (Puerto Rico)
Sandra Fettingis (USA)
Andrew Huffman (USA)
Kristofer Hultenberg (Denmark)
Michael Mork (Denmark)
Gary Andrew Clarke (England)
Ashley Frazier (USA)
SEIKON (Poland)
Hyland Mather (USA)
Frank T. Martinez (USA)
Downshifting collective exhibition Redline Contemporary Art Center
2350 Arapahoe Street, Denver, U.S.A.
June 30th – July 23rd 2017
Curated by Ramón Bonilla, Downshifting is a group exhibition that calls attention to the meditative quality of reductive art, which encompasses minimal, post-minimal, hard edge and geometrical work. Reductive art work is typically explored in terms of formal qualities like medium, rarely conjuring conversations that respond or reflect on political realities. For many artists around the globe, however, reductive work can provide a sanctuary from the hyperactivity and sensory-flooding that has come to be our everyday reality.
Working with 12 internationally-based abstract and minimalist artists, Downshifting will transform RedLine’s 6,000-square-foot exhibition hall into a sanctuary of abstract works with programming that explores sensory deprivation rather than spectacle and provocation.
Participating Artists:
Eltono (France)
Louyse Blyton (Australia)
Ramón Bonilla (Puerto Rico)
Sandra Fettingis (USA)
Andrew Huffman (USA)
Kristofer Hultenberg (Denmark)
Michael Mork (Denmark)
Gary Andrew Clarke (England)
Ashley Frazier (USA)
SEIKON (Poland)
Hyland Mather (USA)
Frank T. Martinez (USA)